{"id":956,"date":"2026-05-14T21:03:57","date_gmt":"2026-05-14T21:03:57","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=956"},"modified":"2026-05-14T21:03:57","modified_gmt":"2026-05-14T21:03:57","slug":"movie-review-sorry-not-sorry-is-god-is-stakes-a-claim-for-unapologetic-female-rage","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=956","title":{"rendered":"Movie Review: Sorry not sorry \u2014 \u2018Is God Is\u2019 stakes a claim for unapologetic female rage"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p>As playwright Aleshea Harris tells it, something felt missing when she first sat down to write her searing and startling play \u201cIs God Is,\u201d which made waves off-Broadway in 2018.<\/p>\n<p>Harris was writing an epic story of Black female revenge, one that drew on Greek tragedy and mythology, but also spaghetti westerns and a liberal dose of Quentin Tarantino, among other things. There was a hero character, but it wasn\u2019t enough. That\u2019s when Harris realized it should be a story of sisters. Twin sisters.<\/p>\n<p>Twins, Harris theorized, bring immediate and profound drama, What\u2019s similar about them, and what\u2019s different? How often do they agree, and what happens when they don\u2019t? It was a crucial creative decision both for the Obie-winning play and now, the movie adaptation Harris has written and directed \u2014 a no less startling piece of work, eight years later.<\/p>\n<p>And so we have Racine and Anaia, one of the more fascinating sets of twins to grace a movie screen. Racine (two-time Tony winner Kara Young, funny and fierce), is expressive, emotional, aggressive, sometimes joyful. Anaia (newcomer Mallori Johnson, deeply moving), is quieter, more deliberate, ostensibly meeker.<\/p>\n<div><\/div>\n<p>At age 21, they share everything: a living space, clothing, the same blond braids. They speak and even think in tandem, to the point where regular dialogue is sometimes replaced, cleverly, with subtitles \u2014 their communicating doesn\u2019t need words. Heck, they can even pee at the same time.<\/p>\n<p>More profoundly, they share similar, horrific scars \u2014 suffered in a fire set by their father when they were small girls, in an attempt to kill their mother. Racine\u2019s scars cover her arm and travel onto her back, while Anaia\u2019s cover her face, permanently altering how the world sees her.<\/p>\n<p>In the prologue, we learn that Racine has been avenging her sister, whenever she\u2019s called ugly because of those scars, since they were children. Then, back to present time. The twins receive a letter they never expected.<\/p>\n<p>\u201cWe got a mama!?\u201d they exclaim. They\u2019d thought she\u2019d died in the fire.<\/p>\n<p>But now, Mother \u2014 or God, as the girls refer to the woman who made them (a tragically regal Vivica A. Fox) \u2014 has summoned them from their abode somewhere in the Northeast to her deathbed down South, where she, too, lies covered in scars.<\/p>\n<p><strong>And she has one request: that her girls avenge her.<\/strong><\/p>\n<p>The twins argue, as they begin the journey in their beat-up Oldsmobile. Anaia is not feeling this mission. But Racine is. And in a striking moment, Anaia imagines how life would have been without her disfiguring scars.<\/p>\n<p>Nobody knows where \u201cMan\u201d is \u2014 that\u2019s the only name we get for this character \u2014 but they know the first stop: A cultlike church where a preacher woman lives with the son she bore him and saves his belongings, in a shrine. From there, clues lead them to a lawyer who has lost his tongue to the man\u2019s evils. Literally.<\/p>\n<p>\u201cDo you ever want to scrape off those scars and see what\u2019s underneath?\u201d one twins asks the other at a point along the way. The question sticks with us.<\/p>\n<p>Finally, we reach the luxurious suburban home where Man has been living a life of comfort with his wife Angie (Janelle Mon\u00e1e, memorable in a brief but violent appearance here) and twin sons. Yes, more twins.<\/p>\n<p>Angie appears to be making some sort of great escape. (She picked the day that Racine and Anaia arrived, wouldn\u2019t you know.) \u201cMom, what are we gonna do for dinner?\u201d one of Angie\u2019s annoyed sons calls out. This may be a Greek tragedy, transported to the contemporary American South, but men asking about dinner is universal.<\/p>\n<p>Ultimately, Man arrives home. Let\u2019s just say he\u2019ll need to make his own sandwich.<\/p>\n<p>You may think you know Sterling K. Brown, but trust us, you have never seen this version of Brown \u2014 a man utterly dripping with villainy, if villainy were in liquid form, and all the more chilling for the calmness with which he intones the most horrific thoughts.<\/p>\n<p>Especially about rage. Man, in a fateful conversation, explains his murderous actions in a \u201clogical\u201d argument about justifiable male rage.<\/p>\n<p>We all know what happens, basically, at the end of a Greek tragedy. It\u2019s nothing good. Add that dose of Tarantino inspo, and you get the picture.<\/p>\n<p><strong>But let\u2019s go back to that issue of rage.<\/strong><\/p>\n<p>Because here is where Harris\u2019 message seems to emerge at its loudest and clearest: Rage is not an arena open exclusively to men. It\u2019s not something that becomes explicable only for those who possess the Y chromosome. Yet women, and especially Black women, often have to apologize for their anger, Harris says.<\/p>\n<p>The playwright offers no apologies for her twins on their life-altering, rage-filled journey.<\/p>\n<p>\u201cDo you ever want to scrape off those scars and see what\u2019s underneath?\u201d one of the twins had asked \u2014 remember? Turns out, they didn\u2019t need to remove the scars to find out.<\/p>\n<p>\u201cIs God Is,\u201d an Amazon MGM Studios release, has been rated R by the Motion Picture Association \u201cfor strong\/bloody violence and language.\u201d Running time: 99 minutes. Three stars out of four.<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=950\">Taylor Swift, Beyonc\u00e9, Chaka Khan and Vince Gill recordings enter national registry<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=952\">Underwater memorial to wrecked slave ship draws pilgrims seeking to connect with their roots<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=954\">Sandra Oh, Kumail Nanjiani among \u2018A List\u2019 Asian American, Pacific Islander names in new HBO doc<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>As playwright Aleshea Harris tells it, something felt missing when she first sat down to write her searing and startling play \u201cIs God Is,\u201d which made waves off-Broadway in 2018. Harris was writing an epic story of Black female revenge, one that drew on Greek tragedy and mythology, but also spaghetti westerns and a liberal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":955,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,440,167,1103,1104],"tags":[1198,1199,1200,1201,1202,1203],"class_list":["post-956","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-movie-reviews","category-sentinel-screen","category-uncategorized","category-z-other-galley","tag-aleshea-harris","tag-anaia","tag-kara-young","tag-mallori-johnson","tag-racine","tag-vivica-a-fox"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Movie Review: Sorry not sorry \u2014 \u2018Is God Is\u2019 stakes a claim for unapologetic female rage - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=956\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Movie Review: Sorry not sorry \u2014 \u2018Is God Is\u2019 stakes a claim for unapologetic female rage - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"As playwright Aleshea Harris tells it, something felt missing when she first sat down to write her searing and startling play \u201cIs God Is,\u201d which made waves off-Broadway in 2018. 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