{"id":838,"date":"2026-05-13T17:35:41","date_gmt":"2026-05-13T17:35:41","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=838"},"modified":"2026-05-13T17:35:41","modified_gmt":"2026-05-13T17:35:41","slug":"20-years-after-a-22-minute-ovation-guillermo-del-toro-and-pans-labyrinth-return-to-cannes","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=838","title":{"rendered":"20 years after a 22-minute ovation, Guillermo del Toro and \u2018Pan\u2019s Labyrinth\u2019 return to Cannes"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p><strong>CANNES, France<\/strong> | Twenty years ago, Guillermo del Toro premiered \u201cPan\u2019s Labyrinth\u201d at the Cannes Film Festival. He went in anxious. It was toward the end of the festival and many journalists had left. The movie\u2019s production had been a nightmare.<\/p>\n<p>Then the audience gave it a 22-minute standing ovation, the longest in Cannes history.<\/p>\n<p>\u201cIt\u2019s a commute,\u201d joked del Toro. \u201cThat\u2019s about what it takes me to get from home to the office. Alfonso Cuaron, who made this movie with me as producer, turned to me at some point and said, \u2018Let it in. Relax.\u2019 I was very tense. I\u2019m not very good with praise.\u201d<\/p>\n<p>Del Toro returned to Cannes on Tuesday to screen a restoration of one of his most beloved films. Shortly beforehand, he met a reporter for an interview at a hotel on the Croisette, a few steps away from where his filmmaking life changed two decades ago.<\/p>\n<div><\/div>\n<p>A lush fairy tale set against 1944 Francoist Spain, \u201cPan\u2019s Labyrinth\u201d is about the young Ofelia (Ivana Baquero) who has come with her mother to stay with her new fascist stepfather, Captain Vidal (Sergi L\u00f3pez). Taking place largely in the northern Spain, it\u2019s Del Toro at his earthiest and most imaginative.<\/p>\n<p>Books become alive when held. Doors manifest out of a chalk outline. And creatures \u2014 fairies, a faun, the unforgettable Pale Man, with eyes in the palms of his hands \u2014 reveal a world of deeper and darker enchantment.<\/p>\n<p><strong>A pivot point for del Toro<\/strong><\/p>\n<p>Del Toro, who has since made \u201cThe Shape of Water\u201d and \u201cFrankenstein,\u201d grants that he wouldn\u2019t have become the filmmaker he is today if he hadn\u2019t made \u201cPan\u2019s Labyrinth.\u201d At the time, he was the well-regarded but not well-known filmmaker of \u201cHellboy\u201d and \u201cBlade 2.\u201d<\/p>\n<p>\u201cI was getting all the Marvel offers from Avi Arad. It was a real choice to go make the movie no one wanted to finance,\u201d del Toro says. \u201cIt was one of the few times in my life that I made a choice. And I made it over and over again because everything that could go wrong went wrong, every door that could have slammed in my face, slammed in my face.\u201d<\/p>\n<p>Del Toro made \u201cPan\u2019s Labyrinth,\u201d which Cineverse and Fathom Entertainment will rerelease in theaters Oct. 9, for $19.5 million \u2014 the same budget for his best picture-winning \u201cThe Shape of Water.\u201d But just after del Toro moved his family to Spain for the shoot, a major financier pulled out.<\/p>\n<p>\u201cI said: I\u2019m staying. We\u2019re going to make this movie,\u201d the filmmaker recalls.<\/p>\n<p>Forest fires in Spain were another complication. Verdant and magical as the forest is in \u201cPan\u2019s Labyrinth,\u201d it took months of irrigation to bring it to life. \u201cEvery lush tree you see, we made lush,\u201d says del Toro. \u201cEvery fern we planted.\u201d<\/p>\n<p>The iconic tree of the film, though, was the work of Eugenio Caballero\u2019s art design. Del Toro has long been renown for his textured artistry, but \u201cPan\u2019s Labyrinth\u201d includes some of his most memorable creations. At a time when artificial intelligence is making inroads into moviemaking, the movie\u2019s handcrafted beauty stands out all the more.<\/p>\n<p>\u201cI think people intrinsically know when you\u2019ve made an effort,\u201d says del Toro. \u201cThey sense that it\u2019s important to you in the craftsmanship. We don\u2019t only go to movies to see the world. We go to see a world we don\u2019t recognize. The more the design is something you haven\u2019t seen before, that was made by hand, you can sense it.\u201d<\/p>\n<p>\u201cVirtual filmmaking to me is not as interesting,\u201d he adds. \u201cYou\u2019re not courting an accident. You\u2019re not courting humanity.\u201d<\/p>\n<p><strong>Growing up with \u2018Pan\u2019s Labyrinth\u2019<\/strong><\/p>\n<p>Nothing is more human in \u201cPan\u2019s Labyrinth\u201d than its young protagonist. Baquero was just 11 when she shot the film, but del Toro calls her \u201cthe most mature actor I\u2019ve ever directed.\u201d Baquero, now 31, also came to Cannes for the screening.<\/p>\n<p>\u201cDuring the audition process, he didn\u2019t baby me,\u201d says Baquero. \u201cHe treated me like an adult. He gave me a lot of homework. He gave me a lot of movie references, some of which were \u2014 like \u2018Grave of Fireflies\u2019 \u2014 very dark.\u201d<\/p>\n<p>\u201cPan\u2019s Labyrinth,\u201d an R-rated fable with bloody spurts of violence, isn\u2019t quite for children. But Baquero was shielded from none of its cruelties. She grew up with \u201cPan\u2019s Labyrinth.\u201d<\/p>\n<p>\u201cI can enjoy more and more as time goes by,\u201d she says. \u201cI can distance myself from being in the movie and watch it with different eyes. I almost don\u2019t see myself as that girl anymore. I do, but it was 20 years ago.\u201d<\/p>\n<p>After its Cannes premiere, \u201cPan\u2019s Labyrinth\u201d was hailed as a masterpiece and went on to land six Oscar nominations, winning three (for cinematography, art direction and makeup). But del Toro calls his experience screening the movie for Stephen King \u201cmy Oscar.\u201d He traveled up to Maine, carrying his film reels, to show it to the author he grew up revering. \u201cThe Pale Man had him squirming big time,\u201d del Toro says.<\/p>\n<p>In \u201cPan\u2019s Labyrinth,\u201d there are hidden, eternal forces underground that outlast the evil scourges that might trod above. There is magic in the world, but you have to know where to look. Two decades later, del Toro still believes that.<\/p>\n<p>\u201cI have experienced it in the real world. Not fauns and pale men and ferries,\u201d he says, chuckling. \u201cBut I find that when your will lines up with the life stream of the cosmos, you see things that happen that are tremendous. When you swim against the life stream, things go wrong.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=832\">Frida Kahlo and Diego Rivera reunite on Day of the Dead in new Met Opera production<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=834\">Conan O\u2019Brien to return as Oscars host in 2027<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=836\">Sandra Oh, Kumail Nanjiani and Bowen Yang are in a HBO doc on being Asian American, Pacific Islander<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CANNES, France | Twenty years ago, Guillermo del Toro premiered \u201cPan\u2019s Labyrinth\u201d at the Cannes Film Festival. He went in anxious. It was toward the end of the festival and many journalists had left. The movie\u2019s production had been a nightmare. Then the audience gave it a 22-minute standing ovation, the longest in Cannes history. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":837,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,150,166,1,148,135,139,167],"tags":[1043,1044,1045,1046,1047,1048],"class_list":["post-838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-town-magazine","category-celebrities","category-credits","category-interesting","category-magazine","category-no-apple-publish","category-other-galley","category-sentinel-screen","tag-alfonso-cuaron","tag-captain-vidal","tag-guillermo-del-toro","tag-ivana-baquero","tag-pans-labyrinth","tag-the-shape-of-water"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>20 years after a 22-minute ovation, Guillermo del Toro and \u2018Pan\u2019s Labyrinth\u2019 return to Cannes - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=838\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"20 years after a 22-minute ovation, Guillermo del Toro and \u2018Pan\u2019s Labyrinth\u2019 return to Cannes - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"CANNES, France | Twenty years ago, Guillermo del Toro premiered \u201cPan\u2019s Labyrinth\u201d at the Cannes Film Festival. 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