{"id":740,"date":"2026-05-12T21:34:02","date_gmt":"2026-05-12T21:34:02","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=740"},"modified":"2026-05-12T21:34:02","modified_gmt":"2026-05-12T21:34:02","slug":"uncut-gems-producer-oscar-boyson-made-a-movie-for-the-letterboxd-generation","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=740","title":{"rendered":"\u2018Uncut Gems\u2019 producer Oscar Boyson made a movie for the Letterboxd generation"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p>\u201cOur Hero, Balthazar\u201d is not really an elevator-pitch kind of movie. Sure, there\u2019s a log-line: A wealthy New York City teenager ( Jaeden Martell ) who, in a misguided attempt to impress a girl, travels to Texas to try to stop a school shooting. But it\u2019s the describing of it that gets tricky: It\u2019s a black comedy, but also sometimes just a comedy. It\u2019s a thriller and a satire. It\u2019s a commentary on performative activism, gun culture and toxic masculinity. Mostly, it\u2019s just an entertaining ride.<\/p>\n<p>Owen Gleiberman, writing for Variety, called it \u201ca cutting, audacious, and at times astonishing movie.\u201d<\/p>\n<p>Perhaps it makes more sense to understand that \u201cOur Hero, Balthazar,\u201d which is currently in theaters, comes from a filmmaker known for his collaborations with the Safdie brothers. Filmmaker and producer Oscar Boyson has been on the ground making independent films for nearly 20 years, from \u201cFrances Ha\u201d to \u201cUncut Gems.\u201d<\/p>\n<p>The idea for \u201cBalthazar,\u201d which he co-wrote with Ricky Camilleri, just felt electric, like the movies that made them want to make movies when they were younger. It\u2019s also the kind of that seems to be disappearing from American cinemas and has the makings of a cult classic.<\/p>\n<div><\/div>\n<p>\u201cThere\u2019s a trend towards sameness and safety and familiarity that is making the movie industry a really uninteresting world to play and create and collaborate in,\u201d Boyson said. \u201cI felt like because the industry was saying no to it, it was exactly what I should be doing. And that really fired me up.\u201d<\/p>\n<p>Boyson has come up against a lot of obstacles in the industry with \u201cBalthazar,\u201d from festivals to distributors, who told him they loved it but couldn\u2019t market it. That resistance just made him even more emboldened to do it his own way. Besides, he learned long ago not to look for permission from the establishment.<\/p>\n<p><strong>Bringing back the slow burn release<\/strong><\/p>\n<p>\u201cWe don\u2019t have the marketing budget, but we do have tremendous energy,\u201d Boyson said.<\/p>\n<p>And, through their grassroots campaign, involving a fake social media account for Martell\u2019s character Balthazar that has over 84,000 followers (more than most film accounts), and old-fashioned word-of-mouth, audiences are finding the film, which will be in New York, Philadelphia, Dallas, San Diego, Encino, Santa Cruz and Westbrook, Maine, this weekend. At the Village East in New York, where it\u2019s entering its seventh weekend, there are people who\u2019ve seen it six times. And it\u2019s not just the hard core cinephiles either: It\u2019s younger audiences too.<\/p>\n<p>Boyson wishes the industry could get away from the \u201cbig opening weekend\u201d mentality and give movies time to find their place and audience.<\/p>\n<p>\u201cSo much of it\u2019s about word-of-mouth, and you need time in order for that to work,\u201d he said. \u201cWhen it does, it\u2019s actually not that expensive. You just gotta make something good.\u201d<\/p>\n<p><strong>Don\u2019t get hung up on the budget<\/strong><\/p>\n<p>\u201cFrances Ha\u201d was the first New York City-based feature Boyson got to work on. Their primary location was the apartment he shared with Greta Gerwig and the production designer, and their crew was small enough to fit in a van.<\/p>\n<p>\u201cThe thing that really stuck with me was that nobody talked about how small the production model was,\u201d he said.<\/p>\n<p>\u201cMovies are about the emotional response that they get from the audience and that has nothing to do with how expensive or how cheaply they were made. When you feel what it\u2019s like to work on something that felt like you were just making something that felt so intimate and small and you feel it resonate with a big audience of people who could go see a Marvel movie or could go see a hundred million dollar David Fincher movie, that\u2019s so empowering. That really informs everything I do, that belief that that can happen.\u201d<\/p>\n<p>On \u201cOur Hero, Balthazar,\u201d he wanted to surround himself with 20-somethings, like he was on \u201cFrances Ha,\u201d because, he said, \u201cthey keep me honest.\u201d<\/p>\n<p><strong>Actors love to work<\/strong><\/p>\n<p>\u201cOur Hero, Balthazar\u201d is full of up and coming and veteran character actors. Jennifer Ehle is Balthazar\u2019s distracted socialite mother; Noah Centineo is his life coach. In Texas, \u201cSex Education\u2019s\u201d Asa Butterfield plays Solomon, the struggling kid Balthazar tries to befriend, Becky Ann Baker is his loving grandmother and Chris Bauer (\u201cThe Wire\u201d) is his estranged dad.<\/p>\n<p>\u201cActors love to work, you know? And actors love to be surprised, and actors love to challenge themselves,\u201d Boyson said. \u201cEspecially if you\u2019re in New York, \u2018Our Hero, Balthazar\u2019 is a testament to the fact that a low budget movie, if you get lucky on the timing, you can have some of the greatest actors in the world popping up in your movie.\u201d<\/p>\n<p><strong>A sense of place is important<\/strong><\/p>\n<p>Shooting in New York City wasn\u2019t just convenient for its talent pool; It\u2019s also a vital part of the texture of the film, which also shot its Texas portions in Texas.<\/p>\n<p>\u201cAll too often the first thing that you\u2019re asked to do when you write a story that takes place in America is shoot it somewhere else,\u201d Boyson said. \u201cIt\u2019s what I value as a viewer when I watch movies, but it\u2019s also it comes from the experience of shooting movies in America and feeling what you lose when you pretend that when you play one place for another. I think a sense of place is something that is really missing or fading from American movie culture.\u201d<\/p>\n<p>The audience and the gatekeepers have nothing to do with each other<\/p>\n<p>Perhaps the most important lesson Boyson has learned over the years, and that seems to be playing out with \u201cBalthazar,\u201d is that the gatekeepers aren\u2019t the ones who make your movie into thing: The audience and the fans do.<\/p>\n<p>\u201cThe people who are showing up for the movie are young people and people who are who are like \u2018this isn\u2019t fringe, this is the reality I\u2019m living,&#8217;\u201d he said. \u201cI don\u2019t know that that makes the movie commercial, but we worked really hard to make it fun, entertaining and accessible.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=734\">DIA security initially missed trespasser who was killed by plane on runway<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=736\">GOP candidates challenge semi-open primaries in last-minute lawsuit<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=738\">Movie Review: In \u2018The Sheep Detectives,\u2019 the private eyes have wool over their eyes<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cOur Hero, Balthazar\u201d is not really an elevator-pitch kind of movie. Sure, there\u2019s a log-line: A wealthy New York City teenager ( Jaeden Martell ) who, in a misguided attempt to impress a girl, travels to Texas to try to stop a school shooting. But it\u2019s the describing of it that gets tricky: It\u2019s a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":739,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149,150,166,1,148,135,139,242,167,243],"tags":[],"class_list":["post-740","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-town-magazine","category-celebrities","category-credits","category-interesting","category-magazine","category-no-apple-publish","category-other-galley","category-recent-headlines","category-sentinel-screen","category-trending"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018Uncut Gems\u2019 producer Oscar Boyson made a movie for the Letterboxd generation - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=740\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Uncut Gems\u2019 producer Oscar Boyson made a movie for the Letterboxd generation - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"\u201cOur Hero, Balthazar\u201d is not really an elevator-pitch kind of movie. 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