{"id":2697,"date":"2026-06-23T21:03:23","date_gmt":"2026-06-23T21:03:23","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=2697"},"modified":"2026-06-23T21:03:23","modified_gmt":"2026-06-23T21:03:23","slug":"clive-davis-helped-launch-or-shape-the-careers-of-these-music-stars-across-genres-and-decades","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=2697","title":{"rendered":"Clive Davis helped launch or shape the careers of these music stars, across genres and decades"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p>The legendary music executive Clive Davis, who has died at age 94, was known for deep, trusting relationships with the artists he represented. It was a mutual respect that allowed him to shape their careers \u2014 and them to shape his.<\/p>\n<p>Here\u2019s a look at how Davis worked with some of the varied acts \u2014 from the Grateful Dead to Alicia Keys \u2014 he shepherded during a six-decade career in the music industry.<\/p>\n<p><strong>Janis Joplin<\/strong><\/p>\n<p>Davis played an important role in shaping Janis Joplin\u2019s career, but she arguably played an even bigger role in shaping his.<\/p>\n<div><\/div>\n<p>After Davis became president of Columbia Records at age 35, he attended the Monterey Pop festival in California looking for new acts. He saw Big Brother &amp; The Holding Company, featuring Joplin, and faced what he recalled in a 2022 speech as his first major decision as head of the label: \u201cShould I personally sign an artist just based on my gut?\u201d he said.<\/p>\n<p>\u201cI did make that decision, and my life would never be the same,\u201d Davis said.<\/p>\n<p>He persuaded Joplin to release an abbreviated edit of the single \u201cPiece of My Heart,\u201d ensuring it got radio play. Davis also pushed her to leave Big Brother and go solo.<\/p>\n<p>After Joplin\u2019s death in 1970, Davis found her recording of \u201cMe and Bobby McGee\u201d amid the sessions for her album \u201cPearl,\u201d released posthumously to great acclaim.<\/p>\n<p><strong>Carlos Santana<\/strong><\/p>\n<p>Davis first signed Santana to Columbia Records in 1968, and the guitarist and singer became known for hits including \u201cBlack Magic Woman\u201d and \u201cOye Como Va\u201d \u2014 not to mention a legendary performance at Woodstock in 1969.<\/p>\n<p>Decades later, Davis reconnected with Santana, who was looking again for musical relevance.<\/p>\n<p>Davis suggested an album that would feature some of Santana\u2019s original material as well as collaborations with contemporary artists. The result \u2014 1999\u2019s \u201cSupernatural\u201d \u2014 included the song \u201cDo You Like the Way\u201d with Lauryn Hill as well as hits \u201cMaria Maria\u201d with Wyclef Jean and \u201cSmooth\u201d with Rob Thomas. The record won eight Grammys, tying a record set by Michael Jackson\u2019s \u201cThriller.\u201d<\/p>\n<p>In a social media post, Santana said Davis \u201cbelieved in Santana from the beginning, and years later he believed in us again.\u201d<\/p>\n<p><strong>Bruce Springsteen<\/strong><\/p>\n<p>Davis signed a 22-year-old Springsteen to Columbia Records in 1972. Davis recalled believing that Springsteen was far more than a Bob Dylan copycat, but that he could be a \u201cpoet warrior\u201d and one of the best performers ever.<\/p>\n<p>After Springsteen turned in his debut album, Davis told him to try again: It didn\u2019t have any singles. Springsteen took the advice to heart and wrote two new tracks: \u201cBlinded by the Light,\u201d which was later turned into a hit by Manfred Mann, and \u201cSpirit in the Night.\u201d<\/p>\n<p>In an appearance on the \u201cLate Show\u201d with David Letterman, Davis recalled giving the Boss early advice on his live performance, telling him that when he has a large stage to play on, he should use it rather than just stand still.<\/p>\n<p>\u201cHe changed my life when he signed me to Columbia Records,\u201d Springsteen wrote in a social media post.<\/p>\n<p><strong>Whitney Houston<\/strong><\/p>\n<p>There is no artist Davis was more closely associated with than Whitney Houston. He met her at a New York club called Sweetwater\u2019s, where the 19-year-old was performing with her mother Cissy Houston, a celebrated gospel and soul singer. She sang \u201cThe Greatest Love of All,\u201d a song Davis had previously commissioned for the Muhammad Ali movie \u201cThe Greatest.\u201d<\/p>\n<p>\u201cAs soon as she started singing that song, I was stunned,\u201d Davis recalled in a CNN interview in 2022.<\/p>\n<p>He signed her to Arista in 1983, and the label took a deliberate two years to find the right songs and producers for her debut album, one of the biggest ever. She went on to become the label\u2019s bestselling artist \u2014 and one of the most influential singers in history.<\/p>\n<p>Houston\u2019s relationship with Davis was so close that her team insisted on a \u201ckey man\u201d clause, giving her the right to leave her contract if Davis ever left Arista.<\/p>\n<p>Davis played a key role in shaping the soundtrack to Houston\u2019s 1992 film \u201cThe Bodyguard,\u201d insisting on keeping a minimalistic arrangement and her iconic a cappella intro to her transcendent Dolly Parton cover \u201cI Will Always Love You.\u201d<\/p>\n<p><strong>The Grateful Dead<\/strong><\/p>\n<p>Davis played the long game with the Grateful Dead. He had wanted to sign the band \u2014 or at least singer and lead guitarist Jerry Garcia \u2014 on Columbia Records since the late 1960s, but the Dead were under contract with rival Warner Bros.<\/p>\n<p>Instead, Davis signed the New Riders of the Purple Sage, a psychedelic country band that featured Garcia. When the Dead were looking for a new major label in the late 1970s, Davis landed them on his recently founded Arista Records.<\/p>\n<p>The late Dead guitarist Bob Weir observed that Davis was \u201cthe one suit we weren\u2019t distrustful of.\u201d In concert, he sometimes changed the lyrics to the Dead standard \u201cJack Straw\u201d from \u201cWe used to play for silver, now we play for life\u201d to \u201cWe used to play for acid, now we play for Clive.\u201d<\/p>\n<p>Davis took a patient approach to the band\u2019s studio work, telling them they should record only when they were ready to record, author Blair Jackson wrote in his biography of Garcia. The Dead, famously ambivalent about commercial success, eventually repaid him with their biggest hit, 1987\u2019s \u201cTouch of Grey.\u201d<\/p>\n<p><strong>Alicia Keys<\/strong><\/p>\n<p>Keys was 15 when she signed with Columbia Records in 1996. Creative differences soon emerged, with the label insisting on hiring teams of professionals to work with her. Keys would later recall feeling disrespected.<\/p>\n<p>Davis, who was splitting with Arista, helped get her out of her Columbia contract and eventually signed her to his new label \u2014 J Records \u2014 in 2000. She played him some of her songs at his office, and he sensed her star power and knew she should have creative control over her songs.<\/p>\n<p>Her debut album \u2014 \u201cSongs in A Minor\u201d \u2014 was a masterpiece and won five Grammys in 2002. But Davis noted that her music could not be easily categorized, and as a result it was at risk of not getting the airplay it deserved. In a 2002 interview, he recalled calling up Oprah Winfrey and asking her to do a show featuring Keys. Winfrey agreed \u2014 and the single \u201cFallin&#8217;\u201d took off.<\/p>\n<p>In a social media post, Keys called Davis \u201cthe visionary who transformed dreams into reality, leaving an indelible mark on music and lives worldwide.\u201d<\/p>\n<p><strong>Kenny G<\/strong><\/p>\n<p>There wasn\u2019t much of a market for instrumental music in the early 1980s, but Davis saw the soft jazz saxophonist Kenny G in a club and knew he had something. He signed Kenny G to Arista in 1982, and he went on to become the bestselling instrumental artist of all time.<\/p>\n<p>In an interview with CNN on Monday, Kenny G \u2014 as he often has \u2014 credited Davis with his success. Davis, he said, knew when to let the artist steer the ship and when to step in with direction. With Kenny G, that meant not telling him how a sax solo should go, but participating by finding singers, such as Michael Bolton, to pair with him.<\/p>\n<p>\u201cI wouldn\u2019t be standing here if it wasn\u2019t for him taking chances on me,\u201d he said.<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=2691\">Senate passes a bipartisan housing bill aimed at increasing supply and lowering prices<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=2693\">Arapahoe County, state election officials defend voting accuracy amid conspiracy theories<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=2695\">Federal judge halts Trump administration effort to subpoena Walz in immigration enforcement probe<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The legendary music executive Clive Davis, who has died at age 94, was known for deep, trusting relationships with the artists he represented. It was a mutual respect that allowed him to shape their careers \u2014 and them to shape his. Here\u2019s a look at how Davis worked with some of the varied acts \u2014 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2696,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,515,516,1103,1104],"tags":[1938,4288,4289,4372,4373,4292],"class_list":["post-2697","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-sentinel-music","category-total-scene","category-uncategorized","category-z-other-galley","tag-bruce-springsteen","tag-carlos-santana","tag-clive-davis","tag-janis-joplin","tag-the-grateful-dead","tag-whitney-houston"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Clive Davis helped launch or shape the careers of these music stars, across genres and decades - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=2697\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clive Davis helped launch or shape the careers of these music stars, across genres and decades - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"The legendary music executive Clive Davis, who has died at age 94, was known for deep, trusting relationships with the artists he represented. 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