{"id":1636,"date":"2026-05-29T14:36:46","date_gmt":"2026-05-29T14:36:46","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=1636"},"modified":"2026-05-29T14:36:46","modified_gmt":"2026-05-29T14:36:46","slug":"how-navalny-filmmaker-daniel-rohers-post-oscar-creative-depression-inspired-tuner","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=1636","title":{"rendered":"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p>For Daniel Roher, making things is kind of a compulsion. Perhaps it\u2019s not surprising for someone who was able to direct two movies at the same time: A documentary about artificial intelligence, now streaming on Peacock, and the heist thriller \u201cTuner,\u201d in theaters Friday.<\/p>\n<p>But he is the kind of person who is constantly creating, if not movies, little sketches, doodles and paintings, often while he\u2019s in conversation with someone else (including this reporter). That\u2019s not to say he\u2019s not engaged and present with whomever he\u2019s talking to \u2014 his mind is just one where it can all happen simultaneously. If he were to describe himself in film editing terms, he\u2019d be a montage of a human being, he said.<\/p>\n<p><strong>A post-Oscar creative paralysis<\/strong><\/p>\n<p>That\u2019s why it was so alarming that not too long ago, sometime after he\u2019d won the best documentary Oscar for \u201cNavalny,\u201d that tap turned off. He was 29 years old, had just won filmmaking\u2019s top honor and was paralyzed by the question of what to do next.<\/p>\n<div><\/div>\n<p>\u201cThere\u2019s a pattern of young people winning and then sort of struggling to figure out what\u2019s next,\u201d Roher told The Associated Press. \u201cI was really scared about that and really anxious \u2026 about the sort of specter of this film looming over me like a giant monolith for the rest of my life: \u2018Oh, he\u2019ll never top this. He\u2019ll never do anything better than this. Like this is it, you should just retire now.&#8217;\u201d<\/p>\n<p>But somewhere in his own creative depression, as he struggled with the possibility that he couldn\u2019t make films anymore, an idea emerged that would become the basis for \u201cTuner\u201d: What if you can no longer do the thing that makes you you? Who do you become?<\/p>\n<p>\u201cIt could have been a chef who can\u2019t smell or a painter who can\u2019t hold a brush anymore,\u201d Roher said. \u201cBut I was drawn to this auditory world of the piano tuner who maybe can\u2019t play for whatever reason.\u201d<\/p>\n<p><strong>A chance meeting with a piano tuner<\/strong><\/p>\n<p>While he was on what he called the \u201cnew boyfriend tour\u201d with his future wife, meeting all of her friends around Los Angeles, he came into the orbit of a piano tuner. He peppered him with questions, shadowed him at work and had an epiphany about safecracking. He\u2019d always loved films with a criminal element and stories about good people who have to do bad things. His new piano tuner friend said it wasn\u2019t far-fetched: A lot of his peers dabble in locksmith work on the side.<\/p>\n<p>\u201cIt was like OK, maybe this is like a, you know, a classic movie, movie conceit that I could turn into something really fun and propulsive and musical and romantic,\u201d Roher said.<\/p>\n<p>And he was off to the races. Though he had never written a narrative screenplay or directed an actor, he was motivated again. The tap was back on.<\/p>\n<p><strong>Directing Dustin Hoffman<\/strong><\/p>\n<p>\u201cTuner,\u201d which premiered last year at the Telluride Film Festival, is the kind of movie people like to say isn\u2019t made anymore, blending elements of crime thriller, romantic comedy and character drama into a clever, entertaining package \u2014 the spiritual descendent of a \u201cGood Will Hunting.\u201d<\/p>\n<p>The piano tuner at the heart of the film is Niki, played by \u201cThe White Lotus\u201d season two breakout Leo Woodall, who is apprenticing alongside Dustin Hoffman\u2019s veteran Harry Horowitz. During a job tuning a piano in a mansion, Niki stumbles upon a robbery and, to save his own life, helps the criminals crack the safe. He doesn\u2019t have any intention of making it a side hustle, but then Harry ends up in the hospital and suddenly there are bills to pay. He\u2019s also just met a beguiling pianist played by Havana Rose Liu.<\/p>\n<p>\u201cIt has what I want from a movie. It\u2019s entertaining and it\u2019s a simple story, well-told. And it\u2019s plot-driven, but also very character-driven. And it\u2019s fun and it\u2019s quick and it is satisfying,\u201d Woodall said. \u201cI finished the script the first time and I was like, \u2018oh, that was a perfectly packaged story.&#8217;\u201d<\/p>\n<p>When Roher and Woodall sat down for coffee for the first time, Roher asked his lead actor how he liked to be directed. It was a disarming moment for Woodall, something he\u2019d never been asked outright before, but a gesture of trust and faith that would continue through the shoot. Hoffman, too, took to Roher immediately. There might have even been a Mike Nichols comparison or two thrown his way.<\/p>\n<p>\u201cDaniel, unlike most of us, myself included, wasn\u2019t intimidated by Dustin. He has the most respect and love for him. But I loved, you know, if Dustin was going a little too far off piece improvising, he would go \u2018Dustin, Dustin, let\u2019s do the lines now,&#8217;\u201d Woodall laughed. \u201cAnd Dustin would respond perfectly, like \u2018yes, sir.&#8217;\u201d I was like these two are a good fit.\u201d<\/p>\n<p><strong>A creative explosion<\/strong><\/p>\n<p>Roher already has several new films underway as well, including a project in Rome where he\u2019s relocated temporarily with his wife and baby. And he\u2019s happy the creative funk is a thing of the past.<\/p>\n<p>\u201cThe last few years have been an extraordinary creative renaissance, let\u2019s say, or explosion for me, doing \u2018Tuner\u2019 simultaneously with this AI documentary,\u201d Roher said. \u201cHaving to balance both of those films at the same time was a very profound creative challenge. And I\u2019m really glad that I\u2019m on the other side of it because it\u2019s kind of overwhelming. I\u2019m very proud of both of those films and they were really good counter programming to one another.\u201d<\/p>\n<p>The professional and personal contentedness exists in stark contrast to his worries about the state of the world over the past 18 months, but, he added: \u201cI appreciate the fact that my own little teeny weeny pixel on the giant mosaic of existence is happy and busy and creative and fulfilled and optimistic and inspired and holding the multitudes of everything all at the same time.\u201d<\/p>\n<p>For more coverage of this summer\u2019s upcoming films, visit: https:\/\/apnews.com\/hub\/movies<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1630\">Humanoids dance and thread needles as Japanese robotics developers look to outdo Chinese<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1632\">Q&amp;A: Anna Gomez is the sole Democrat on the FCC. She has a warning for big media companies<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1634\">Good dog! More children\u2019s hospitals turn to furry caregivers to help kids heal<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>For Daniel Roher, making things is kind of a compulsion. Perhaps it\u2019s not surprising for someone who was able to direct two movies at the same time: A documentary about artificial intelligence, now streaming on Peacock, and the heist thriller \u201cTuner,\u201d in theaters Friday. But he is the kind of person who is constantly creating, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1635,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,166,167,1103,1117],"tags":[2511,2512,2513,2514,2515,2516,2517],"class_list":["post-1636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-credits","category-sentinel-screen","category-uncategorized","category-z-other-ts","tag-navalny","tag-tuner","tag-daniel-roher","tag-dustin-hoffman","tag-havana-rose-liu","tag-leo-woodall","tag-peacock"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019 - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=1636\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019 - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"For Daniel Roher, making things is kind of a compulsion. Perhaps it\u2019s not surprising for someone who was able to direct two movies at the same time: A documentary about artificial intelligence, now streaming on Peacock, and the heist thriller \u201cTuner,\u201d in theaters Friday. But he is the kind of person who is constantly creating, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/denvermovingchronicle.com\/?p=1636\" \/>\n<meta property=\"og:site_name\" content=\"Denver Moving Chronicle\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-29T14:36:46+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/#\\\/schema\\\/person\\\/860d8c9be7e4969f72ed251197548d9b\"},\"headline\":\"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019\",\"datePublished\":\"2026-05-29T14:36:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636\"},\"wordCount\":1108,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/denvermovingchronicle.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/e4579bf3a469f9e41eaf0c428788387a.jpg\",\"keywords\":[\"\\\"Navalny\\\"\",\"\\\"Tuner\\\"\",\"Daniel Roher\",\"Dustin Hoffman\",\"Havana Rose Liu\",\"Leo Woodall\",\"Peacock\"],\"articleSection\":{\"0\":\"0 - No Apple Publish\",\"1\":\"1gridMAGAZINE\",\"2\":\"A-Town Magazine\",\"3\":\"Celebrities\",\"4\":\"Credits\",\"5\":\"Sentinel Screen\",\"7\":\"z-other-ts\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636\",\"url\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636\",\"name\":\"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019 - Denver Moving Chronicle\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/denvermovingchronicle.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/e4579bf3a469f9e41eaf0c428788387a.jpg\",\"datePublished\":\"2026-05-29T14:36:46+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/#\\\/schema\\\/person\\\/860d8c9be7e4969f72ed251197548d9b\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#primaryimage\",\"url\":\"https:\\\/\\\/denvermovingchronicle.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/e4579bf3a469f9e41eaf0c428788387a.jpg\",\"contentUrl\":\"https:\\\/\\\/denvermovingchronicle.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/e4579bf3a469f9e41eaf0c428788387a.jpg\",\"width\":1024,\"height\":683,\"caption\":\"This image released by Black Bear shows Dustin Hoffman, left, with director Daniel Roher on the set of \\\"Tuner.\\\" (Black Bear via AP)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?p=1636#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/denvermovingchronicle.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/#website\",\"url\":\"https:\\\/\\\/denvermovingchronicle.com\\\/\",\"name\":\"Denver Moving Chronicle\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/denvermovingchronicle.com\\\/#\\\/schema\\\/person\\\/860d8c9be7e4969f72ed251197548d9b\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\\\/\\\/denvermovingchronicle.com\"],\"url\":\"https:\\\/\\\/denvermovingchronicle.com\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019 - Denver Moving Chronicle","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/denvermovingchronicle.com\/?p=1636","og_locale":"en_US","og_type":"article","og_title":"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019 - Denver Moving Chronicle","og_description":"For Daniel Roher, making things is kind of a compulsion. Perhaps it\u2019s not surprising for someone who was able to direct two movies at the same time: A documentary about artificial intelligence, now streaming on Peacock, and the heist thriller \u201cTuner,\u201d in theaters Friday. But he is the kind of person who is constantly creating, [&hellip;]","og_url":"https:\/\/denvermovingchronicle.com\/?p=1636","og_site_name":"Denver Moving Chronicle","article_published_time":"2026-05-29T14:36:46+00:00","author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/denvermovingchronicle.com\/?p=1636#article","isPartOf":{"@id":"https:\/\/denvermovingchronicle.com\/?p=1636"},"author":{"name":"admin","@id":"https:\/\/denvermovingchronicle.com\/#\/schema\/person\/860d8c9be7e4969f72ed251197548d9b"},"headline":"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019","datePublished":"2026-05-29T14:36:46+00:00","mainEntityOfPage":{"@id":"https:\/\/denvermovingchronicle.com\/?p=1636"},"wordCount":1108,"commentCount":0,"image":{"@id":"https:\/\/denvermovingchronicle.com\/?p=1636#primaryimage"},"thumbnailUrl":"https:\/\/denvermovingchronicle.com\/wp-content\/uploads\/2026\/05\/e4579bf3a469f9e41eaf0c428788387a.jpg","keywords":["\"Navalny\"","\"Tuner\"","Daniel Roher","Dustin Hoffman","Havana Rose Liu","Leo Woodall","Peacock"],"articleSection":{"0":"0 - No Apple Publish","1":"1gridMAGAZINE","2":"A-Town Magazine","3":"Celebrities","4":"Credits","5":"Sentinel Screen","7":"z-other-ts"},"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/denvermovingchronicle.com\/?p=1636#respond"]}]},{"@type":"WebPage","@id":"https:\/\/denvermovingchronicle.com\/?p=1636","url":"https:\/\/denvermovingchronicle.com\/?p=1636","name":"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019 - Denver Moving Chronicle","isPartOf":{"@id":"https:\/\/denvermovingchronicle.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/denvermovingchronicle.com\/?p=1636#primaryimage"},"image":{"@id":"https:\/\/denvermovingchronicle.com\/?p=1636#primaryimage"},"thumbnailUrl":"https:\/\/denvermovingchronicle.com\/wp-content\/uploads\/2026\/05\/e4579bf3a469f9e41eaf0c428788387a.jpg","datePublished":"2026-05-29T14:36:46+00:00","author":{"@id":"https:\/\/denvermovingchronicle.com\/#\/schema\/person\/860d8c9be7e4969f72ed251197548d9b"},"breadcrumb":{"@id":"https:\/\/denvermovingchronicle.com\/?p=1636#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/denvermovingchronicle.com\/?p=1636"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/denvermovingchronicle.com\/?p=1636#primaryimage","url":"https:\/\/denvermovingchronicle.com\/wp-content\/uploads\/2026\/05\/e4579bf3a469f9e41eaf0c428788387a.jpg","contentUrl":"https:\/\/denvermovingchronicle.com\/wp-content\/uploads\/2026\/05\/e4579bf3a469f9e41eaf0c428788387a.jpg","width":1024,"height":683,"caption":"This image released by Black Bear shows Dustin Hoffman, left, with director Daniel Roher on the set of \"Tuner.\" (Black Bear via AP)"},{"@type":"BreadcrumbList","@id":"https:\/\/denvermovingchronicle.com\/?p=1636#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/denvermovingchronicle.com\/"},{"@type":"ListItem","position":2,"name":"How \u2018Navalny\u2019 filmmaker Daniel Roher\u2019s post-Oscar creative depression inspired \u2018Tuner\u2019"}]},{"@type":"WebSite","@id":"https:\/\/denvermovingchronicle.com\/#website","url":"https:\/\/denvermovingchronicle.com\/","name":"Denver Moving Chronicle","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/denvermovingchronicle.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/denvermovingchronicle.com\/#\/schema\/person\/860d8c9be7e4969f72ed251197548d9b","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/50b1ad2e498f523425ee0a8cc5180a210646db1622662a3d56cc405d3e0c346a?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/denvermovingchronicle.com"],"url":"https:\/\/denvermovingchronicle.com\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=\/wp\/v2\/posts\/1636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1636"}],"version-history":[{"count":0,"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=\/wp\/v2\/posts\/1636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=\/wp\/v2\/media\/1635"}],"wp:attachment":[{"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/denvermovingchronicle.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}