{"id":1308,"date":"2026-05-21T22:34:06","date_gmt":"2026-05-21T22:34:06","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=1308"},"modified":"2026-05-21T22:34:06","modified_gmt":"2026-05-21T22:34:06","slug":"once-upon-a-time-in-harlem-has-its-day-at-the-cannes-film-festival-50-years-after-it-was-shot","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=1308","title":{"rendered":"\u2018Once Upon a Time in Harlem\u2019 has its day at the Cannes Film Festival, 50 years after it was shot"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p><strong>CANNES, France<\/strong> | David Greaves was 26 when his father, the pioneering filmmaker William Greaves, asked him to be one of four cameramen documenting a historic gathering in Harlem.<\/p>\n<p>In August 1972, William Greaves assembled as many artists, writers, poets, musicians and organizers from the Harlem Renaissance as he could. They came for a cocktail party at Duke Ellington\u2019s Harlem townhouse. There, they talked about the seminal 1920s cultural movement: what they remembered, who not to forget, what it all meant.<\/p>\n<p>\u201cMy father would say, \u2018Capture the life that\u2019s happening,&#8217;\u201d David recalls.<\/p>\n<p>It took more than half a century for the result to see the light of day. But 54 years after that gathering, \u201cOnce Upon a Time Harlem\u201d screened this week at the Cannes Film Festival.<\/p>\n<div><\/div>\n<p>No movie in Cannes had a longer road to get here. William Greaves died in 2014 having never finished what he felt would be his most enduring work. With David ultimately stepping in as director, his family saw it through.<\/p>\n<p>\u201cIt\u2019s not the film he was thinking of in his mind,\u201d David Greaves said in an interview by the beach in Cannes. \u201cBut it\u2019s definitely the film he would have wanted.\u201d<\/p>\n<p>It was fitting that \u201cOnce Upon a Time in Harlem\u201d got its moment in Cannes. William Greaves\u2019 1968 opus, \u201cSymbiopsychotaxiplasm: Take One,\u201d was rejected at the time by the festival. The experimental documentary would nevertheless grow to become revered by filmmakers, and in 2015 it was added to the National Film Registry.<\/p>\n<p>Given that history, it was hard for David Greaves to summarize what it felt like to be at the festival, bringing his father\u2019s work finally to cinema\u2019s global stage.<\/p>\n<p>\u201cIt feels magical,\u201d he said, his eyes welling up. \u201cEven surreal.\u201d<\/p>\n<p>Now, \u201cOnce Upon a Time in Harlem\u201d might be the nonfiction movie event of the year. Following its premiere earlier this year, Neon acquired it and is planning an awards campaign. It will play at top fall festivals. After seeing an unfinished cut of the film last year, The New Yorker\u2019s Richard Brody called it \u201ca film for the ages.\u201d<\/p>\n<p>Gathered that day in Harlem was a spectrum of Harlem Renaissance luminaries including the poet and novelist Arna Bontemps; the artist Romare Bearden; the actor Leigh Whipper, then 96; Ida Mae Cullen, the widow of the poet Countee Cullen; the musician Eubie Blake, the poet and painter Richard Bruce Nugent; the scholar John Henrik Clarke.<\/p>\n<p>Together, they take turns reminiscing about the flourishing in Harlem \u2014 laughing, arguing over and celebrating their place in Black history. In the 1970s, it wasn\u2019t as widely recognized. Now, the film arrives at a time when African American history is increasingly under siege in America.<\/p>\n<p>For David Greaves, the definition of the Harlem Renaissance is simple: \u201cIt\u2019s the wellspring.\u201d<\/p>\n<p>\u201cPeople say: How can there be a renaissance? People without history arriving here?\u201d he says. \u201cI first wanted to open the film with a history stretching back to Africa. Everyone was like, \u2018OK, OK, where\u2019s the party?\u201d<\/p>\n<p>Instead, the documentary opens with a poem that Greaves felt expressed it all: Langston Hughes\u2019 \u201cThe Negro Speaks of Rivers.\u201d<\/p>\n<p>William Greaves\u2019 original purpose with the footage was to use it for the 1974 film \u201cFrom These Roots.\u201d But he instead opted to use archival photographs. Over the years, he would return to the 1972 footage in Harlem but never shaped it into a film.<\/p>\n<p>After he died in 2014 at the age of 87, his widow, Louise Archambault Greave, took up the project. She died in 2023 but not before securing funding for the restoration.<\/p>\n<p>\u201cLouise was a lock protecting the footage. She told the Smithsonian, who asked for a copy, \u2018No!&#8217;\u201d David Greaves says, laughing.<\/p>\n<p>Though he was raised assisting on his father\u2019s films, David Greaves didn\u2019t remain in moviemaking. He co-founded and ran the progressive Brooklyn community newspaper Our Time Press. It was years before he stepped forward to direct. His daughter, Liani, is a producer.<\/p>\n<p>\u201cLouis was talking about directors. \u2018Who could we get?\u2019 I just sat there and said, \u2018I don\u2019t know,&#8217;\u201d David Greaves says. \u201cThen it came to a point in the editing room after she had passed, (adviser) Marcia Smith said, \u2018Who\u2019s going to direct this? Are you going to direct it?\u2019 And I said, \u2018Yes.\u2019 I couldn\u2019t imagine anyone else directing this film. I just couldn\u2019t do it.<\/p>\n<p>David Greaves barely remembers what he shot in 1972. He\u2019s seen fleetingly in a mirror at times. But it was too long ago to really remember \u2014 longer than the time span from the Harlem Renaissance to that townhouse meeting. \u201cOnce Upon a Time in Harlem\u201d is a luminous artifact of the past, twice over.<\/p>\n<p>\u201cUsually after seeing a movie, people say \u2018Congratulations,&#8217;\u201d says Greaves. \u201cHere they say, \u2018Thank you.&#8217;\u201d<\/p>\n<p>Greaves can hardly get the words out before the tears come streaming again. He wipes them away, lifts his head and smiles.<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1302\">Trump will ease refrigerant rule in effort to address surging grocery costs<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1304\">Memorial Day: Higher fuel prices have some Americans scaling back their travel plans<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1306\">Stephen Colbert is saying goodbye to \u2018The Late Show.\u2019 How it ends is still a secret<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CANNES, France | David Greaves was 26 when his father, the pioneering filmmaker William Greaves, asked him to be one of four cameramen documenting a historic gathering in Harlem. In August 1972, William Greaves assembled as many artists, writers, poets, musicians and organizers from the Harlem Renaissance as he could. They came for a cocktail [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1307,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,166,167,1103,1104],"tags":[1898,1899,1900,1901,1902,1903],"class_list":["post-1308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-credits","category-sentinel-screen","category-uncategorized","category-z-other-galley","tag-david-greaves","tag-duke-ellington","tag-harlem-renaissance","tag-langston-hughes","tag-richard-bruce-nugent","tag-william-greaves"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u2018Once Upon a Time in Harlem\u2019 has its day at the Cannes Film Festival, 50 years after it was shot - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=1308\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Once Upon a Time in Harlem\u2019 has its day at the Cannes Film Festival, 50 years after it was shot - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"CANNES, France | David Greaves was 26 when his father, the pioneering filmmaker William Greaves, asked him to be one of four cameramen documenting a historic gathering in Harlem. 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