{"id":1235,"date":"2026-05-20T20:34:14","date_gmt":"2026-05-20T20:34:14","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=1235"},"modified":"2026-05-20T20:34:14","modified_gmt":"2026-05-20T20:34:14","slug":"dont-sleep-on-is-god-is-a-primal-scream-of-a-movie-inspired-by-westerns-and-greek-tragedy","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=1235","title":{"rendered":"Don\u2019t sleep on \u2018Is God Is,\u2019 a primal scream of a movie inspired by Westerns and Greek tragedy"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p>Aleshea Harris wrote \u201cIs God Is\u201d with the assumption that it would never be performed as a play, let alone turned into a movie. It was simply a story she needed to get onto the page: A tale of rage and revenge, an ancient Greek tragedy melded with Spaghetti Western tropes centered on contemporary Black women, twins, on an epic, violent journey to find the father who wronged them. She even rewatched Quentin Tarantino\u2019s \u201cKill Bill\u201d while she was writing.<\/p>\n<p>\u201cI\u2019ve endured so many narratives in which Black women, they\u2019re just sort of downtrodden victims, you know? They endure, they gain their strength and we love them because look at what all she can take. I think that\u2019s horrific,\u201d Harris told The Associated Press in a recent interview. \u201cThis was my antidote to that. This was my medicine to myself for that.\u201d<\/p>\n<p>That\u2019s the thing about art that boldly flies in the face of taboo and stereotypes; Sometimes, it turns out, it\u2019s on to something that audiences have been craving too. The Obie-winning stage play, which debuted off-Broadway in 2018, hit a nerve with audiences and critics, garnering comparisons to Tarantino and Martin McDonagh. Soon, talks of a feature film were underway. Harris never thought she\u2019d be the one to direct it, having barely even been on a set before, but producer Janicza Bravo and their mutual friend, playwright Jeremy O. Harris, had other ideas: It was her story after all, she should be the one to tell it.<\/p>\n<p>\u201cIt really was like the belief of those folks and that invitation,\u201d Harris said. \u201cIt was like a switch being flipped. Of course, of course I\u2019m in.\u201d<\/p>\n<div><\/div>\n<p>The film, which is now playing in theaters, has garnered similarly effusive praise from critics and audiences. It stars Kara Young and Mallori Johnson as badly scarred twins who, after fending for themselves their whole lives, hear word from the mother (Vivica A. Fox) they thought was dead. Now dying, she has a mission for them: Track down and kill their father ( Sterling K. Brown ), who set her on fire many years ago, burning and permanently disfiguring all of them.<\/p>\n<p><strong>A cast of \u201cnewcomers\u201d and unexpected turns<\/strong><\/p>\n<p>Harris knew she wanted quote-unquote newcomers as her twins, Racine the Rough One (Young) and Anaia the Quiet One (Johnson). While Young and Johnson weren\u2019t plucked from obscurity, Young being a Tony-winning Broadway star and Johnson having led the short-lived sci-fi series \u201cKindred,\u201d they\u2019re also not big screen mainstays.<\/p>\n<p>\u201cThey\u2019ve been in the game, but I really delight in putting people on,\u201d Harris said. \u201cI delight in knowing that someone is very gifted and that they just need that opportunity to show what they can do for more flowers to follow.\u201d<\/p>\n<p>And they were both passionate about the opportunity. Young, who used a rare night offstage to see the play in 2018, said, \u201cgetting into the world of \u2018Is God Is\u2019 feels like an ancestral calling in some wild, beautiful, almost like indescribable way.\u201d<\/p>\n<p>Harris also surrounded them with some better-known names, including Brown, Fox and Janelle Mon\u00e1e, playing the new wife.<\/p>\n<p>\u201cI knew she (Mon\u00e1e) could embody both this sort of beautiful, conventionally beautiful, bougie, like newest wife archetype, and also the sort of nastier side of this woman,\u201d Harris said. \u201cShe\u2019s oppressed but also an oppressor.\u201d<\/p>\n<p>As for the father, Harris wanted to catch audiences off guard, casting a handsome and charismatic actor like Brown in the role.<\/p>\n<p>\u201cIn the script, it says that when we finally see this man\u2019s face, he\u2019s giving Obama, right? He\u2019s giving unassuming, the man in the suburbs. He\u2019s got his khakis on. He got his deck shoes on. We don\u2019t get what we expect at first,\u201d Harris said. \u201cIt\u2019s true to life that sometimes people who do these terrible things, they\u2019re complex. They are charming \u2026 I wanted to open up a little more complexity there.\u201d<\/p>\n<p><strong>The Tarantino of it all<\/strong><\/p>\n<p>The name Tarantino comes up a lot when people are writing about \u201cIs God Is,\u201d which Harris understands: \u201cKill Bill\u201d is in its DNA after all. But so are many other references, including, first and foremost, Greek tragedies.<\/p>\n<p>\u201cI don\u2019t want to be like a poor man\u2019s Tarantino, you know? I am doing my own thing, and I hope that people recognize that,\u201d she said. \u201cIt seems like they are.\u201d<\/p>\n<p>She loved the task of figuring out the film\u2019s visual style, creating a world that is \u201cthree clicks to the left of center\u201d and thinking about Westerns, fairy tales and a Southern gothic aesthetic and watching films like \u201cO Brother, Where Art Thou?\u201d, \u201cMoonlight,\u201d \u201cLady Snowblood\u201d and even \u201cAm\u00e9lie\u201d as preparation.<\/p>\n<p>\u201cI just sort of went on a feast, a buffet of like what did other people do that I loved,\u201d Harris said.<\/p>\n<p>The goal, she said, was to \u201cland on a world that feels like realism, but like ratcheted up.\u201d<\/p>\n<p><strong>The taboo of Black female rage<\/strong><\/p>\n<p>Harris wanted to write a story about Black female rage precisely because it\u2019s taboo, because it\u2019s been done so wrong in so many ways, whether it\u2019s leaning into a flattening stereotype or insidious respectability politics.<\/p>\n<p>\u201cBeing a Black woman, I feel and have felt the pressure to sort of ignore that rage or swallow it,\u201d she said. \u201cThere\u2019s a cultural mythology around Black women that is so effed up and so dehumanizing \u2026 I needed to give myself this in which Black women were free to feel that rage. They were fighting for themselves and each other, not for a man, not their child necessarily, but for themselves. It\u2019s unapologetic and it doesn\u2019t judge them for that anger.\u201d<\/p>\n<p>There\u2019s catharsis too, in a climax that may leave the uninitiated in stunned silence, not just for the story but for the arrival of a new, exciting talent.<\/p>\n<p>As Johnson said, the fact that it\u2019s her complete vision on the big screen is \u201ca very, very, very special opportunity for anyone, anyone who loves film, who loves storytelling, and who loves something that they\u2019ve never seen before.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1229\">Democratic senators testing GOP unity with vote on Trump\u2019s \u2018anti-weaponization\u2019 fund<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1231\">Jane Schoenbrun\u2019s queer slasher movie \u2018Teenage Sex and Death at Camp Miasma\u2019 jolts Cannes<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1233\">In Cannes standout \u2018Fatherland,\u2019 Sandra H\u00fcller stuns again<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Aleshea Harris wrote \u201cIs God Is\u201d with the assumption that it would never be performed as a play, let alone turned into a movie. It was simply a story she needed to get onto the page: A tale of rage and revenge, an ancient Greek tragedy melded with Spaghetti Western tropes centered on contemporary Black [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1234,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,166,167,1103,1104],"tags":[1198,1200,1201,1773,1774,1203],"class_list":["post-1235","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-credits","category-sentinel-screen","category-uncategorized","category-z-other-galley","tag-aleshea-harris","tag-kara-young","tag-mallori-johnson","tag-quentin-tarantino","tag-sterling-k-brown","tag-vivica-a-fox"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Don\u2019t sleep on \u2018Is God Is,\u2019 a primal scream of a movie inspired by Westerns and Greek tragedy - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=1235\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Don\u2019t sleep on \u2018Is God Is,\u2019 a primal scream of a movie inspired by Westerns and Greek tragedy - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"Aleshea Harris wrote \u201cIs God Is\u201d with the assumption that it would never be performed as a play, let alone turned into a movie. 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