{"id":1231,"date":"2026-05-20T20:03:57","date_gmt":"2026-05-20T20:03:57","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=1231"},"modified":"2026-05-20T20:03:57","modified_gmt":"2026-05-20T20:03:57","slug":"jane-schoenbruns-queer-slasher-movie-teenage-sex-and-death-at-camp-miasma-jolts-cannes","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=1231","title":{"rendered":"Jane Schoenbrun\u2019s queer slasher movie \u2018Teenage Sex and Death at Camp Miasma\u2019 jolts Cannes"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p><strong>CANNES, France<\/strong> | \u201cA good electric chair\u201d is how Jane Schoenbrun describes their first Cannes Film Festival premiere.<\/p>\n<p>\u201cI really felt like my body was in a state of convulsion,\u201d says Schoenbrun.<\/p>\n<p>The day after the premiere of \u201cTeenage Sex and Death at Camp Miasma,\u201d a bold, bloody queer slasher film starring Hannah Einbinder and Gillian Anderson, Schoenbrun and their co-stars were still buzzing from the ecstatic response. The movie, one of the most prominent American films in Cannes this year, gave the festival a gonzo jolt.<\/p>\n<p>For Schoenbrun, the leading trans filmmaker of their generation, the film extends their intensely personal exploration of gender and the movies that defined their youth. But their first two films \u2014 2024\u2019s \u201cI Saw the TV Glow\u201d and 2021\u2019s \u201cWe\u2019re All Going to the World\u2019s Fair\u201d \u2014 were the raw, burning products of Schoenbrun\u2019s transition. \u201cTeenage Sex and Death at Camp Miasma,\u201d drawn from Schoenbrun\u2019s happy, exploratory post-transition life, isn\u2019t that.<\/p>\n<div><\/div>\n<p>It\u2019s about desire and sex. It\u2019s a biting satire of reboot-mad Hollywood. It\u2019s a schlocky and subversive slasher movie homage. It\u2019s a lot of fun, and quite tender, even when bodies are blood-spurting geysers.<\/p>\n<p>\u201cThis is the first movie that feels like it represents the fullness of who I am,\u201d Schoenbrun says.<\/p>\n<p>But Wednesday\u2019s moment of triumph in Cannes was hard-won. Ten years ago, Schoenbrun, now 39, was working in the film industry in a job they hated.<\/p>\n<p>\u201cThe first time I came here, I just felt like, \u2018Oh my, god. I can\u2019t believe I\u2019m in Cannes.\u2019 I went to, like, \u2018The Lobster,\u2019 at the Palais in my boy tux. I was like: \u2018This is it. I\u2019ve done it,&#8217;\u201d says Schoenbrun. \u201cThen the next year I came back and I was so depressed. I decided to quit my job. If I\u2019m depressed at Cannes, there\u2019s something that needs to change. I know I want to be here but I need a better reason to be here.\u201d<\/p>\n<p>They pause and then smile. \u201cI just can\u2019t believe that it ended up working out.\u201d<\/p>\n<p>Einbinder (\u201cHacks\u201d) plays Kris, an indie filmmaker hired to direct a reboot of \u201cCamp Miasma,\u201d a decades-spanning slasher series. Studio executives are looking for a fresh origin story. For Kris, it\u2019s a dream job. Since seeing the first movie on VHS as an 8-year-old, she\u2019s been obsessed with the movies.<\/p>\n<p>While visiting the iconic camp of the film, she encounters Billy Presley (Anderson), the Final Girl from the first movie. Their unfolding relationship opens up both inspiration for the movie Kris (but not executives) wants to make, as well as her own sexual anxieties.<\/p>\n<p>\u201cI wanted to be part of a thing that I thought would be important to exist in the world,\u201d says Anderson. \u201cThis film is really important and I think it\u2019s going to rectify a lot of things.\u201d<\/p>\n<p>The film industry satire of \u201cTeenage Sex and Death at Camp Miasma\u201d has some real-world echoes. Even though \u201cTV Glow,\u201d released by A24, was an indie event, Schoenbrun\u2019s third film was turned down everywhere but Mubi, which releases it Aug. 7.<\/p>\n<p>\u201cIt was kind of shocking to me that it was just pass after pass after pass,\u201d Schoenbrun says. \u201cYou don\u2019t know, in the way you never know as a trans person. You\u2019re like: \u2018Maybe there\u2019s something about my otherness that you\u2019re not into.\u2019 Hollywood can feel like a mafia. I think it was a f\u2014ing shame.\u201d<\/p>\n<p>For Schoenbrun, the kind of cultural assumptions about what\u2019s mainstream can become a self-fulfilling prophecy.<\/p>\n<p>\u201cYour movie is not commercial because they think it\u2019s not commercial,\u201d they say, citing the white men who dominate Hollywood executive ranks. \u201cWe\u2019re in such a bled-dry moment. You can really feel it with the s\u2014 that\u2019s coming out.\u201d<\/p>\n<p>Einbinder, starring in her first film, was drawn to the deeply felt nature of Schoenbrun\u2019s work.<\/p>\n<p>\u201cThere is fiction around it, but Jane is a personal filmmaker and these movies are allegorical to their experience in many ways,\u201d she says. \u201cThat affected me.\u201d<\/p>\n<p>Schoenbrun was determined to make it, regardless. \u201cHow much did they make the original \u2018Friday the 13th\u2019 for?\u201d they asked. Remaining resolute was the key, just as it was for Schoenbrun in writing a soon-to-be-released 600-page fantasy novel \u2014 just as it was in changing their fate in Cannes 10 years ago.<\/p>\n<p>\u201cMy movies are obsessed with this idea of what it takes to make something real,\u201d says Schoenbrun. \u201cI have a tattoo to make sure I wrote my book that says \u2018Make it real.\u2019 This is very much an ideology: We can remake ourselves and the world around us.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1225\">Residents of Lithuania\u2019s capital told to shelter as drone alarm underlines NATO\u2019s eastern jitters<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1227\">Officers who defended Capitol from rioters sue to block payouts from $1.8B \u2018anti-weaponization\u2019 fund<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1229\">Democratic senators testing GOP unity with vote on Trump\u2019s \u2018anti-weaponization\u2019 fund<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CANNES, France | \u201cA good electric chair\u201d is how Jane Schoenbrun describes their first Cannes Film Festival premiere. \u201cI really felt like my body was in a state of convulsion,\u201d says Schoenbrun. The day after the premiere of \u201cTeenage Sex and Death at Camp Miasma,\u201d a bold, bloody queer slasher film starring Hannah Einbinder and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1230,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,166,167,1103,1104],"tags":[1764,1765,831,1766,1767,833],"class_list":["post-1231","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-credits","category-sentinel-screen","category-uncategorized","category-z-other-galley","tag-camp-miasma","tag-i-saw-the-tv-glow","tag-cannes-film-festival","tag-gillian-anderson","tag-hannah-einbinder","tag-jane-schoenbrun"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jane Schoenbrun\u2019s queer slasher movie \u2018Teenage Sex and Death at Camp Miasma\u2019 jolts Cannes - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=1231\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jane Schoenbrun\u2019s queer slasher movie \u2018Teenage Sex and Death at Camp Miasma\u2019 jolts Cannes - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"CANNES, France | \u201cA good electric chair\u201d is how Jane Schoenbrun describes their first Cannes Film Festival premiere. \u201cI really felt like my body was in a state of convulsion,\u201d says Schoenbrun. 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