{"id":1172,"date":"2026-05-19T20:05:54","date_gmt":"2026-05-19T20:05:54","guid":{"rendered":"https:\/\/denvermovingchronicle.com\/?p=1172"},"modified":"2026-05-19T20:05:54","modified_gmt":"2026-05-19T20:05:54","slug":"the-breathless-korean-sci-fi-monster-movie-hope-leaves-the-cannes-film-festival-floored","status":"publish","type":"post","link":"https:\/\/denvermovingchronicle.com\/?p=1172","title":{"rendered":"The breathless Korean sci-fi monster movie \u2018Hope\u2019 leaves the Cannes Film Festival floored"},"content":{"rendered":"<div>\n<div>\n<div>\n<ul><\/ul>\n<\/div>\n<\/div>\n<p><strong>CANNES, France<\/strong> | Sprawling action movies with aliens do not generally compete for the Cannes Film Festival\u2019s Palme d\u2019Or. But Na Hong-jin\u2019s \u201cHope\u201d is not your average science fiction.<\/p>\n<p>Few movies were more anticipated in Cannes. It\u2019s been 10 years since Na\u2019s last film, the well-regarded 2016 thriller \u201cThe Wailing.\u201d While some of Na\u2019s fellow Korean genre masters, like Bong Joon Ho, have found global renown, for many cinephiles, Na is overdue for the kind of global introduction a Cannes premiere provides.<\/p>\n<p>But that doesn\u2019t mean that Na, a few hours before debuting \u201cHope,\u201d was feeling at ease.<\/p>\n<p>\u201cI\u2019m really nervous,\u201d the writer-director said in an interview alongside the Cannes beach. \u201cI didn\u2019t imagine it would be so nerve-wracking to be honest, to the point of not sleeping.\u201d<\/p>\n<div><\/div>\n<p>Na\u2019s movie, one of the most expensive Korean films ever made, certainly provides no rest. For two hours and 40 minutes, it takes a story that begins with the mysteriously scarred carcass of a dead bull and breathlessly and quite bloodily accumulates into a cosmically grand, audaciously gonzo sci-fi tale.<\/p>\n<p>The headlong rush of Na\u2019s bonkers would-be international blockbuster left Cannes alternatively awed, befuddled and thrilled. Variety\u2019s Jessica Kiang called it \u201chilarious, unwieldy, overlong and featuring some of the most breathtakingly elegant action moviemaking of this or any year.\u201d<\/p>\n<p>Hwang Jung-min plays the Hope police chief in a rural village whose investigation into the bull attack rapidly turns into a frantic chase, following a trail of carnage through the Korean Demilitarized Zone. He\u2019s eventually joined by another police officer (Jung Ho-yeon). Meanwhile, the chief\u2019s cousin (Zo In-sung) is following a separate set of clues into the forest.<\/p>\n<p>How \u201cHope\u201d gets from A to B is much of the fun. But let it be known: Michael Fassbender and Alicia Vikander play extraterrestrials.<\/p>\n<p>\u201cI wanted to talk about a story that starts off with something very trivial, and that can build to something that can impact the entire universe,\u201d Na says. \u201cIn order to tell that story, I felt I had to incorporate aliens.\u201d<\/p>\n<p>Just how grand a scope \u201cHope\u201d would encompass took some figuring out for Na. He ultimately decided he would put only part of it in the film. A sequel set in space, more centered around Fassbender and Vikander\u2019s characters, has already been written. Na warmly offered \u201ca secret,\u201d describing how his theoretical part two ends, before being hushed by publicists.<\/p>\n<p>Na rushed to complete the edit in time for Cannes. Speaking through an interpreter, he sounded very much like a filmmaker who has for years been consumed by the possible iterations of this story. That it\u2019s taken 10 years to get here, he grants, is hard to believe.<\/p>\n<p>\u201cIt didn\u2019t feel that long to me. I only realize now that it\u2019s been quite a journey,\u201d he sighs. \u201cThe editing took a long time. The CGI took forever.\u201d<\/p>\n<p>For the Korean stars of the film, Na was the main attraction. Asked why he wanted to do the film, Zo answers straightforwardly: \u201cBecause it\u2019s Na Hong-jin. Nothing else.\u201d<\/p>\n<p>Jung hopes the film \u2014 which Neon will release in the U.S. later this year \u2014 will bring new audiences to the director. \u201cHe has such cool filmography,\u201d she says. \u201cIt will be nice if he can have a much wider audience.\u201d<\/p>\n<p>Hwang, one of South Korea\u2019s top stars, is reuniting with Na after starring in \u201cThe Wailing.\u201d Almost immediately, they started talking about another film together. Hwang was the first performer to sign on to \u201cHope.\u201d<\/p>\n<p>\u201cAmong the actors, we have this faith in the director that whatever movie he does, he\u2019ll do a good movie,\u201d says Hwang before deadpanning. \u201cBut I don\u2019t think he knows that many good actors.\u201d<\/p>\n<p>Some spectacular and lengthy action sequences make up much of \u201cHope.\u201d But as much as the movie is a pedal-to-the-metal ride, it\u2019s predicated on some of the weighty themes that have characterized Na\u2019s films, particularly \u201cThe Wailing.\u201d<\/p>\n<p>The genre and perspective shifts in \u201cHope,\u201d from monster movie to sci-fi, go to the heart of what drove Na\u2019s largest production in the first place. For him, it all began with people\u2019s struggle to see and understand those different from them.<\/p>\n<p>\u201cI started off with a focus on xenophobia and immigrant problems,\u201d he says. \u201cAs I was developing the story, it became a much bigger story.\u201d<\/p>\n<p>\u201cIn any big tragedy, they don\u2019t necessarily arise from malicious intention. It all starts with difference in perspective,\u201d he says. \u201cI think it\u2019s that conflict in perspective or misunderstanding that creates these collisions. That\u2019s what I wanted to talk about.\u201d<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1166\">New tax credit offers $1,200 relief to Colorado childcare teachers and staff<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1168\">What to watch in Tuesday\u2019s primaries as Trump\u2019s endorsement is put to the test<\/a><\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<\/p>\n<p>Read more <a href=\"https:\/\/denvermovingchronicle.com\/?p=1170\">Blanche doesn\u2019t rule out considering payments for violent Jan. 6 rioters as he defends $1.8B fund<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>CANNES, France | Sprawling action movies with aliens do not generally compete for the Cannes Film Festival\u2019s Palme d\u2019Or. But Na Hong-jin\u2019s \u201cHope\u201d is not your average science fiction. Few movies were more anticipated in Cannes. It\u2019s been 10 years since Na\u2019s last film, the well-regarded 2016 thriller \u201cThe Wailing.\u201d While some of Na\u2019s fellow [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1171,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1101,1102,149,150,166,167,1103,1104],"tags":[1674,1675,831,1676,1677,834],"class_list":["post-1172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-0-no-apple-publish","category-1gridmagazine","category-a-town-magazine","category-celebrities","category-credits","category-sentinel-screen","category-uncategorized","category-z-other-galley","tag-hope","tag-alicia-vikander","tag-cannes-film-festival","tag-hwang-jung-min","tag-michael-fassbender","tag-na-hong-jin"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The breathless Korean sci-fi monster movie \u2018Hope\u2019 leaves the Cannes Film Festival floored - Denver Moving Chronicle<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denvermovingchronicle.com\/?p=1172\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The breathless Korean sci-fi monster movie \u2018Hope\u2019 leaves the Cannes Film Festival floored - Denver Moving Chronicle\" \/>\n<meta property=\"og:description\" content=\"CANNES, France | Sprawling action movies with aliens do not generally compete for the Cannes Film Festival\u2019s Palme d\u2019Or. 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